
Food Wizard
Studio: Primal Shape
Produttore: Mad entertainment
Rai tv / Netflix
2021

I worked as an animator on this amazing series. Keeping up with the daily tasks was challenging, but we pulled it off. I absolutely love Nonno Essen! You can find all the episodes on RaiPlay and Netflix.
You can find some of my shots here below ( not rendered). Enjoy!

Il Miracolo
DIRECTOR: Ammaniti
Studio: Cromatica
produzione:Sky Italia, Wildside, Arte France, Kwaï
Rete televisiva: Sky atlantic
2018
I animated the fly in the series and was pleasantly surprised to find out it played a significant role in the plot. It was my first experience integrating animation into a live-action world. Even though the creature was small, bringing it to life was incredibly fun.

Ayoosh and yoosee
Director / Light designer: Mladen Dizdar
Creator: Dubravko Siskic
Production: Loop loop.ae/
2016
Collaborating on this project was a rewarding experience. I had the opportunity to work closely with the rigger in developing the characters, testing the rig as we progressed, and refining the animation style. I also created the characters' action library and brought the scenes to life through animation.
Some animation test and action







U-Hugs
CLIENT: Giochi Preziosi
STUDIO: Inkymind
Executive producer: Enrico Preziosi
2016
A web series featuring dolls produced by Giochi Preziosi. I had a great experience working with the team, led by an outstanding supervisor. Thanks Gerarld Dedel.
Here is a collection of some scenes in progress for the series. Aimed at preschool children, the octopus Oto meets the great composers of history. It was a lot of fun to work with both clay and 3D animation in my first studio experience life.

Oto il polipo
Client: Rai yoyo
Regia:di Fusako Yusaki
STUDIO:SQUARE
2014
Here's a short reel with some scenes from the series, still a work in progress and not yet rendered.
The preschool series Oto the Octopus Discovers Great Musicians was my first experience working in a studio, and doing it alongside my childhood idol, Fusako Yusaki, was priceless. I love stop-motion, and being able to work with both clay and 3D animation was the perfect balance!




